Photo: François Fernandez/ Villa Arson, Sol Calero, Paisaje, Villa Arson I, 2020 The work as been photographed and used as postcard for his exhibition in Berlin Mosse & Mossette (Study for a Set of Emojis after E. Sottsass´ Bacterio). Centre de coordination I started my career in online music journalism, interviewing bands and writing album reviews for - coincidentally - two network providers: Orange and 02 (it was a long time ago). To listen to what the building has to say.” By manipulating, organizing, and composing sections of the gallery as if making a painting, Calero devised a space-filling installation that also included a series of new paintings and ceramic elements produced in the art school, works from previous shows, and a small library (with books on South American art), combined with sofas, a bizarre bed, natural vegetation inspired by the plants in the Villa garden, and site-specific mural interventions that duplicated the entering solar beams and the shadows around them. Field network. 3. The use of pigment’s symbolic force, the improvisation with architecture, and the idea of a practice in which phenomena of hybridization and assimilation are similar to music (especially salsa)3 are some of the coordinates and “codes” Calero’s work assembles into its mosaic: a model that incessantly confronts us with the exoticizing inherent to imagery and narratives of the cultural other. One week before galleries and institutions shut down more than two months ago, I visited the spaces of Villa Arson, located in St. Sylvestre district, up the hill of Saint-Barthélémy in Nice. His work is represented by the Berlin gallery Gillmeier Rech and it’s exhibited regularly in international institution and galleries. She has participated in group exhibitions at the Australian Centre for Contemporary Art, Melbourne (2019); Preis der Nationalgalerie, Hamburger Bahnhof, Berlin (2017); and Casa Anacaona, Folkestone Triennial, England (2017). Gemeinsame Bilder veröffentlichte der Mucki-Millionär allerdings bis heute nicht. Recent solo exhibitions include Being and your own form, ChertLüdde, Berlin (2018); Statements, ChertLüdde at Art Basel (2017); Doppelgänger, 45cbm studio space, Staatliche Kunsthalle Baden Baden, Germany (2017); Fiac – Foire International d’Art Contemporain, Lafayette Sector, Paris (2015); and Coagula, ChertLüdde, Berlin (2014). Relations internationales A beautiful and lively area he saw many times while running or biking around. “My mom was born in Uganda and my dad in Kenya where he still lives. Assistants But a Western eye may also perceive a particular reference to Henri Matisse (he moved to Nice in 1917), who in his day was one of the first Europeans to free color from its codes and hackneyed juxtapositions. Why not try and have some fun with work, fancy a beer? et reporting, Arnaud DUPONTDeputy: Alberto GARRALON PEREZ, A/3 L’éventuel maintien de contenus ne tenant pas encore compte de ce retrait est involontaire et les corrections nécessaires seront apportées. In Vilnius, Bruzzone worked on his series. 62k Posts - See Instagram photos and videos from ‘isabelamoner’ hashtag Aide humanitaire Doing so Bruzzone questioned issues related to appropriation of popular culture and folklore, and (as sottsass mentioned in some of his texts) how this can be used as a control tool by the leading classes. Plus they’re in Shoreditch, allowing me further excuse to never leave East London. The artist notes: “I find repetition interesting because it does two contradictory things: it makes the repeated element more important because it’s numerous, but also less significant because one regards it merely as part of a pattern.”5. ”Up to and Including Limits: After Carolee Schneemann” at Muzeum Susch, Susch, Susan Cianciolo “Spirit Guides: Paintings 1990 – 2020” at Bridget Donahue, New York. ", schrieb Bastian Yotta im Mai 2018 in einer Instagram-Story. Sign in to check out what your friends, family & interests have been capturing & sharing around the world. instagram; top. In the context of Cold War tensions between the U.S. and Cuba, radio stations which played Cuban records had received bomb threats, and thus the word ‘Salsa’ provided a generic, safe umbrella term for use in the mass marketing of Latin music, strategically obscuring the fact that the music was very clearly Cuban. Partenariats stratégiques He studied Biology at University of Genova and Photography and New Technologies at Bauer Institute in Milano. soutien opérationnel, Marco des risques de catastrophes, Nacira questions horizontales, C/1 Zora Mann (b. Capacités et Hanging on walls irregularly coated and framed in pale green, orange, red-ocher (the same tone as the building’s exterior central patio), and beige was a series of acrylics and oils on canvas that not only recounted childhood memories based on personal or family archives—offering a narrative of self-explanation—but also activated an exercise of rhythmic repetition within which the artist played with assonances and dissonances between layers, scales, hierarchies, and backgrounds. Having guts always works out for me! Courtesy: Chert Lüdde, Berlin. Protection civile Doing so Bruzzone questioned issues related to appropriation of popular culture and folklore, and (as sottsass mentioned in some of his texts) how this can be used as a control tool by the leading classes. E/5 ... Instagram; More Information . From the press release of Sol Calero’s project SALSA, Gillmeier Rech and La Mambita dance studio, Berlin, 2014: “Though it is widely thought of as a pan–Latin American phenomenon, Salsa music was first conceived in East Harlem, New York—known to locals as ‘el Barrio’—during the 1970s. Afrique du Nord, Irak et péninsule arabique, D/4 The work as been photographed and used as postcard for his exhibition in Berlin. Programmation, contrôle Life is too short to remove the USB safely. Poring over the exhibited works, I noticed how sculptures can behave both as permeable elements and as more robust substrates for shapes, decorations, and layers of meaning. “When I build an installation or any project,” Calero notes, “the objects in the space also become the references for new images. The Commission is in the process of updating some of the content on this website in light of the withdrawal of the United Kingdom from the European Union. Those walls or architectural elements then become elements for another painting. This progressed to a career in TV, managing the websites and social platforms of the some of the biggest names in telly for James Grant Group, including Ant & Dec, Davina McCall and Holly Willoughby. He restored an old sign along the river Neris, in an old cruising area. © L’ensemble des textes et photos peuvent être réutilisés, à condition que l’UE/ECHO soit cité comme référence. The artist discovered this term in a film made ten years ago by her father in Kenya about a. Marco Bruzzone (Genova, 1974) is an artist based in Berlin. Recent exhibitions include: Pollock Gallery, Dallas SMU, Kustverein Arnsberg, Museo Hermann Nitsch, Neaples, Gillmeier Rech, Berlin, Dingum, Berlin, Chateau Shatto, LA, Paradise Garage, LA, Performa 13, New York City, Kings ARI, Melbourne, Tagteam, Bergen, Almanac, London, Ludlow 38, New York City, Isabella Bortolozzi Galerie, Witte De With, Rotterdam, Palais de Tokyo, Paris, Bergen Kunsthall, Bergen, Weneklasen/Werner, Berlin, WIELS, Brussels, Supportico Lopez, Berlin, Kusthalle Basel, OSLO10, Basel. 5. Voisinage oriental, Martin The paintings’ luminous overlapping visual references and motifs included exotic plants, fruits, fountains, snakes, bubbles, landscapes, and interiors—a compositional language that powerfully combined an interlocking clarity with the blurring typical of a semi-forgotten dream. I’m looking forward to bringing my entertainment background to the tree and also, bringing the entertainment to every office party. His work is represented by the Berlin gallery Gillmeier Rech and it’s exhibited regularly in international institution and galleries. There’s a brilliant atmosphere here, and you can see that reflected in the quality of work. Marco Bruzzone (Genova, 1974) is an artist based in Berlin. de la réaction d’urgence (ERCC), B/1 All artist quotes are from a conversation with Éric Mangion published in a booklet for the show (English version), unless otherwise indicated. SCHWABACH - Babette Gillmeier aus Rednitzhembach organsiert ganz besondere Aktionen für den guten Zweck: Sie bittet Prominente um Kleider oder persönliche Andenken, die dann im Rahmen einer kurzweiligen Versteigerung an den Mann oder die Frau gebracht werden. She has had recent solo exhibitions in Europe at Tate Liverpool, England (2019); ChertLüdde, Berlin (2019); Museum Boijmans Van Beuningen, Rotterdam, the Netherlands (2018); Brücke Museum, Berlin (2018); Galerie Crèvecoeur, Paris (2018); Kunstverein Düsseldorf, Germany (2018); Barbara Gross Galerie, Munich (2018); and Kunsthalle Lissabon, Lisbon (2018). The artist discovered this term in a film made ten years ago by her father in Kenya about a mganga (singular of waganga) named George. In the other galleries, Zora Mann’s works shaped a balanced composition between watercolors—devised as travel diaries, since many were made during her journeys—paintings of various sizes, and a corpus of sculptural objects. BOULEHOUATDeputy: Modris STASULS, C/2 MALLAUNDeputy: Annick VILLAROSA, E/1 The view from there over the city and the bay is outstanding, almost sublime. Marco Bruzzone (Genova, 1974) is an artist based in Berlin. T: 0203 222 0077 4.6m Followers, 443 Following, 2,741 Posts - See Instagram photos and videos from Izabel Goulart (@izabelgoulart) sur les faits, Dominique Photo: François Fernandez/ Villa Arson, Sol Calero, Solo Pintura II, 2018 et interinstitutionnelles, PANIGALLIDeputy: Christophe PATERON, B/2 Amérique latine et Pacifique, A/1 I’ve always loved small agency culture because it lets you do you; with the tree, this was coupled with big agency structure and even bigger ambition. Zora Mann (b. If you continue to use this site we will assume that you are happy with it. She lives and works in Berlin. Join Facebook to connect with Charlotte Norwood and others you may know. Courtesy: Chert Lüdde, Berlin; Galerie Crévecoeur, Paris; Barbara Gross, Munich. The Fear you entertain today will make you a nonentity tomorrow. Or the Shields (2018), paintings in acrylic and oil on canvas hanging on a wall, with their grid and slits to look through. Most recently I oversaw the social campaign for the series reboot of Crystal Maze on Channel 4 and relaunched Twitter UK with a new TOV and editorial style. Create an account or log in to Instagram - A simple, fun & creative way to capture, edit & share photos, videos & messages with friends & family. As Marot himself put it: “The desire to make the buildings disappear inside the vegetation inspired me to spread them out like a lizard in the sun.”1 Officially inaugurated in 1972, Villa Arson is today a unique and privileged venue that houses a national institution dedicated to the promotion of contemporary art, a residence for artists (since 2013), an art school, and a library. Sécurité et Welcome back to Instagram. 1. 1979, Amersham, England) graduated from Villa Arson in 2009. 2. We use cookies to ensure that we give you the best experience on our website. the family feel genuinely exists here at the tree. Being an Apprentice, it is important to learn from every experience. “I grew up in-between cultures,” she says. Directeur Général:Paraskevi MICHOU. The opportunity to build a team and service clients using your own ideas is exciting, isn’t it? aux catastrophes, Direction D Volontaires de l'aide de l'UE postes vacants, Opérations humanitaires lors de crises urbaines, Résilience et Nexus humanitaire-développement-paix, Centre de coordination de la réaction d’urgence (ERCC), Relations avec les États membres et la coopération internationale, Dialogues stratégiques avec les partenaires, Comité permanent inter-organisations des Nations Unies, Groupe de soutien des donateurs de l'OCHA, Conseil économique et social des Nations unies, Cadre de Sendai pour la réduction des risques de catastrophe, Coordination entre le civil et le militaire en temps de crise, Consultations des partenaires concernant les décisions de financement, Lignes directrices concernant la mise en œuvre des politiques. Réseau des connaissances If a tree needs sunshine to grow, then the team at the tree are the sun. April 2018) versammelt, darunter die folgenden Teilnehmer aus Berlin: ART COLOGNE 2017 Nächsten Monat findet die Art Cologne statt. 107.4k Followers, 365 Following, 1,449 Posts - See Instagram photos and videos from Gil Ofarim (@gilofarim) TASCHNERDeputy: Alessandro VALDAMBRINI, E/2 d’urgence et rescEU, Direction BPrévention et préparation The reiteration of colors and geometric, divergent sequences that occur on the edges of the canvases are symptoms of what the artist calls a blend of “some emotional states [which] can act as a zoom making details, and others lead to a fragmentation of sense.” This is evocative also of her watercolors on paper and acrylics on canvas, where horizons of feeling, reverberations, and memories resonate in surfaces, evoking though a repetitive and fragmented composition a graphic gesture very close to the intertwined and naive motifs of Art Brut. “It doesn’t matter where you are from, when you move to a new country you are confronted with who you were and who you will become. He studied Biology at University of Genova and Photography and New Technologies at Bauer Institute in Milano. Recent solo exhibitions include. - Stefan Sagmeister, As soon as you walk in there is a warm and welcoming atmosphere. He restored an old sign along the river Neris, in an old cruising area. Recent exhibitions include: Pollock Gallery, Dallas SMU, Kustverein Arnsberg, Museo Hermann Nitsch, Neaples, Gillmeier Rech, Berlin, Dingum, Berlin, Chateau Shatto, LA, Paradise Garage, LA, Performa 13, New York City, Kings ARI, Melbourne, Tagteam, Bergen, Almanac, London, Ludlow 38, New York City, Isabella Bortolozzi Galerie, Witte De With, Rotterdam, Palais de Tokyo, Paris, Bergen Kunsthall, Bergen, Weneklasen/Werner, Berlin, WIELS, Brussels, Supportico Lopez, Berlin, Kusthalle Basel, OSLO10, Basel. 412.2k Followers, 83 Following, 933 Posts - See Instagram photos and videos from Jennifer Lawrence (@jenniferlawrence_) Some sculptures have references from the paintings, and the furniture takes its textile patterns and motifs from the paintings. Bruzzone, then, organized, in the same place, a pic-nic with all the amazing colleagues and friends he met in Vilnius. It was here that I discovered a love for social media, so I joined Telegraph Hill to specialise in running campaigns for TV networks such as Discovery and SyFy Channel. Courtesy: Chert Lüdde, Berlin; Galerie Crévecoeur, Paris; Barbara Gross, Munich. Europe du Sud‐Est et A beautiful and lively area he saw many times while running or biking around. Prévention et gestion Organisational chart - EN. From my very first interview, I had a great feeling about the tree. Deputy: Isabelle SEROIN. During the last days of his residency, Bruzzone tested one of the emojis producing a 5 m tall three-dimensional public painting in the form of “river-sign”. La Commission met actuellement à jour une partie du contenu de ce site, dans la perspective du retrait du Royaume-Uni de l’Union européenne. Die Versicherungskammer Bayern ist ein öffentlicher Versicherer. Titel zum Thema Art Cologne: ART COLOGNE 2018 Insgesamt sind 200 internationale Galerien aus 31 Ländern auf der diesjährigen Art Cologne (19. bis 22. From the brochure on the history of Villa Arson, Nice. Or the series Walls (not yet titled) (2020) in wood, papier-mâché, acrylic resin, and paint, which stood in the middle of the main exhibition room as distorted bodies with holes and openings. Photo: François Fernandez/ Villa Arson, Zora Mann, Waganga installation view at Villa Arson, Nice, 2020 I flirted with freelancing for a few years soon after, running campaigns for some incredible brands including McDonald’s, Virgin Media and BBC Radio. 3. We're all born naked and the rest is drag. 1. Organisational chart - FR. E: info@thisisthetree.com, Just Eat - Out of the Box Content Marketing, RESCUE® Remedy - High impact influencer marketing, RESCUE® Remedy - A Letter to my Younger Self, Northumbria University - Student engagement done right, All By Mama - Sophisticated E-Commerce Solution, Rosetta Stone - Interactive content marketing, Simplexity Travel - Luxury Travel Content Marketing, Northumbria - University website design and build, Easyroommate - Real time content marketing, Porky's BBQ - Multi-site, integrated restaurant marketing, Cure + Cut - Leisure Branding that Cuts Through, Jenrick Recruitment – Fresh Recruitment Brand and Website, Ulster University – University website design and build. 5. Their distinctive approaches to carrying out the Villa’s general suggestions evoked a range of common references, from the specific use of colors and patterns for eliciting memories and emotional states, to the integration of cultural references into new productions and formulas, interpretations and interactions. This awareness traverses all of Mann’s artistic production, in a fluctuation of meanings that arise from the juxtaposition of contradictory visual codes, thanks to her habit of painting from the inside out. The Texture of Susanne Paesler’s Paintings, Rhythmic Repetition and Hybridized Memories: Sol Calero and Zora Mann at Villa Arson, Nice, How to Deal With Dystopia: “The Missing Planet” at Pecci Centre, Prato, Studio for Propositional Cinema, Jason Dodge, and Gioacchino Di Bernardo at Fondazione Morra Greco, Naples, A Promise of Love and Madness: Leila Hekmat, “CROCOPAZZO!” at Galerie Isabella Bortolozzi, Berlin, “Put a color upon a canvas—it not only colors with that color the part of the canvas to which the color has been applied, but it also colors the surrounding space with the complementary.”. 1982, Caracas, Venezuela) lives and works in Berlin, where she codirects the project space Kinderhook & Caracas with fellow artist Christopher Kline. Sol Calero, Se empeñaban en tapar las grietas, pero las paredes seguían sudando [They insisted on covering the fissures, but the walls still perspired] installation view at Villa Arson, Nice, 2020 No one would mind me saying that this is a diverse and unique mix of individuals. et politique fondée Courtesy: Chert Lüdde, Berlin. She integrated the leaks into the show by taking apart waterlogged partitions and using the rubble to make sculptures; building a wooden walkway so that visitors could avoid stepping in puddles of water (along with a net composed of tie rods and ceramic forms, this walkway was the exhibition’s centerpiece installation); and deflecting the light flooding in through the gallery’s wide ceiling windows in the rooms. politiques thématiques, D/1 She has participated in the group exhibitions Freigänger, The Knast, Berlin (2019); A Shiver in Search of a Spine, Arario Gallery, Seoul (2019); All the Small Things, Alessandro Buganza, Milan (2019); The Shrine of Friendship, BKV Brandenburgischer Kunstverein, Potsdam, Germany (2018); Condo, hosted by Union Pacific, London (2018); and Interface(s) – Tales of Babel, Haus am Lützowplatz – Studio Galerie, Berlin (2017). That's what we ask of our staff. Eine ist 17 Jahre und eine 15 Jahre alt! During the last days of his residency, Bruzzone tested one of the emojis producing a 5 m tall three-dimensional public painting in the form of “river-sign”. Afrique subsaharienne, Asie, The idea for her exhibition at Villa Arson, Se empeñaban en tapar las grietas, pero las paredes seguían sudando (They Insisted on Covering the Fissures, but the Walls Still Perspired), crystallized when Nice was suddenly stuck by tropical rainstorms (a situation to which the title refers) that caused seepage and humidity on the gallery walls. Spanning traditional methods of art making such as drawings and paintings, but also encompassing videos, found objects, fabric works, and site-based practices, the works emerge from a syncretic conception of art at the crossroads of several cultures, identities, and experiences, inspired by Calero’s own migration from her birthplace in Caracas, Venezuela, to her current home in Berlin. Ort: 10c Printing House Yard, 15 Hackney Road, London, E2 7PR Dieses Impressum gilt auch für unser Angebot auf Facebook, Instagram, Twitter, YouTube und XING. Photo: François Fernandez/ Villa Arson, Zora Mann, Shield 18 19 20, 2018 Be interesting and interested. Courtesy: Chert Lüdde, Berlin; Galerie Crévecoeur, Paris; Barbara Gross, Munich. All artist quotes are from a conversation with Éric Mangion published in a booklet for the show (English version), unless otherwise indicated. In this way Salsa was designed to unite the Latino community through an unmistakably American business model and Fania began to solidify their market dominance by acquiring smaller Latino record labels.” She lives and works in Berlin. Mosse & Mossette (Study for a Set of Emojis after E. Sottsass´ Bacterio). 4. 40.1k Followers, 524 Following, 292 Posts - See Instagram photos and videos from Isabell (@isabell_giese) I found somewhere, where I could grow a social team within an agency putting social first. The pen is mightier than the sword if the sword is very short, and the pen is very sharp. And when you learn how to improvise this becomes a very important tool which I think is fundamental for creativity.”. During this research he disassembled in groups E. Sottsass´Bacterio and produced a set of 31 emojis in the attempt to introduce them to UNICODE. 2. Paintings sometimes become walls in other shows. —Henri Matisse. Titled Waganga (“healers of souls” in Swahili, a language derived from Bantu languages),4 the show was the work of an insightful artistic sensibility and a long and meticulous process where forms of interiority manifest in dense and vibrant surfaces, in a rhythm of repetition and variation. All artist quotes are from a conversation with Éric Mangion published in a booklet for the show (English version), unless otherwise indicated. humanitaires, Susanne The artist “handled” the damage to the building by “exposing” the space itself to new perspectives coming from the outside. ...it’s a young, exciting organisation that’s ready to blossom. During this research he disassembled in groups E. Sottsass´Bacterio and produced a set of 31 emojis in the attempt to introduce them to UNICODE. I’d visit him for every summer holiday when I was a kid. Photo: François Fernandez/ Villa Arson, “Put a color upon a canvas—it not only colors with that color the part of the canvas to which the color has been applied, but it also colors the surrounding space with the complementary.” The tree is a place where friendships are made, as well as some pretty awesome campaigns. For Calero, such circumstances are elements to play with, to be embraced and integrated: “Most of the time things don’t come out how you expected and I’ve learned how to accommodate my projects to unexpected situations… You have to be alert all the time and be able to improvise. He studied Biology at University of Genova and Photography and New Technologies at Bauer Institute in Milano.His work is represented by the Berlin gallery Gillmeier Rech and it’s exhibited regularly in international institution and galleries. I didn’t live in Kenya for long stretches, a year here some months there, but still is also home and a source of visual vocabulary to me.” The recurrence of a tribal style and psychedelic experimentation in terms of form, as well as the geometric configuration of motifs, lines, and curves, number among the spatial synchronicities (a term borrowed from Carl Jung and briefly used to describe “meaningful coincidences”) specific to the construction of dreams. In every case, the work is a reflection on cultural codes, community environments, and image production in Latin America and Latin American communities living in migration. Calero’s paintings are “like souvenirs, an abstract memory of a larger environment encapsulated in an object,” noted Sira Pizà in a brochure accompanying the show. analyse operationnelle, B/3 Weitere Informationen zu den einzelnen Unternehmen des Konzerns finden Sie unter Einzelunternehmen. From the press release of Sol Calero’s project SALSA, Gillmeier Rech and La Mambita dance studio, Berlin, 2014: “Though it is widely thought of as a pan–Latin American phenomenon, Salsa music was first conceived in East Harlem, New York—known to locals as ‘el Barrio’—during the 1970s. Take for example Untitled (2020), a beaded curtain made of recycled flip-flops found on the shores and waterways in Kenya: it’s a fluid object that functioned as a filter between works, something to walk and see through. Designed in 1966 by French architect Michel Marot, the labyrinth-like Villa Arson extends over more than two hectares inside a Mediterranean garden where mineral elements and vegetation (gathered from all five continents), stones and patios, streets and suspended roof terraces intermingle with works in situ by Bertrand Lavier, Maurizio Nannucci, Dan Graham, François Morellet, and others, creating a range of pathways where architecture hasn’t any facade, but details and formal references—like the maze and the mastaba (an Egyptian tomb that is oblong in shape with sloping sides and a flat roof) erected on the terraces as windbreaks and sun shields, or the pyramid-shaped light wells—fascinate visitors at every turn. Sol Calero (b. ALBERTDeputy: Béatrice MIEGE, C/4 1979, Amersham, England) graduated from Villa Arson in 2009. Calero’s past work has included a large-scale installation taking the form of a painted wooden bus to be used as a “vehicle” to explore themes of representation, identity, displacement, and marginalization (El Autobús, Tate Liverpool, UK, 2019); a travel agency office that points to the self-constitution of countries as tourist destinations (Agencia Viajes Paraíso, Kunstpalais Erlangen, Germany, 2017); a hair and nail salon, cafeteria, driving school, restaurant, and tiny job center that emulated the commercial spaces often found in Latin American countries, or run by Latin American immigrants in their new homes (Amazones Shopping Center, Hamburger Bahnhof, Berlin, 2017–18); and even a bureau de change displayed at a key moment when Venezuela’s social and political state was highly volatile and on the brink of breakdown (Casa De Cambio, Laura Bartlett Gallery at Art Basel, 2016). All artist quotes are from a conversation with Éric Mangion published in a booklet for the show (English version), unless otherwise indicated. La Commission met actuellement à jour une partie du contenu de ce site, dans la perspective du retrait du Royaume-Uni de l’Union européenne.
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