In The Beggar’s Opera, Macheath is a womanizing highwayman, a rollicking, amoral rogue. Drauf man keine Untat liest Divorced from Brecht’s caustic verses and Weill’s witty orchestration, “The Ballad of Mack the Knife” still has the durability and the elasticity of a true folksong. It didn’t take long for “The Ballad of Mack the Knife” to become a jazz standard. Even so, these new lyrics were recorded by Lyle Lovett and Sting, and showed up in the 1989 film Mack the Knife. The first verse, couched deliberately in a crude and repetitive idiom, goes: When Die Dreigroschen Oper opened in 1928, the Moritat was assigned to the portly Jewish cabaret comedian Kurt Gerron who doubled the roles of Street Singer and Police Chief Tiger Brown. Not in such an obvious place. [citation needed] Darin's version of the song was featured in the films Quiz Show and What Women Want. It was also historically fascinating because it was actually a re-write of a musical composed a full 200 years before, John Gay's Beggar's Opera. Deren Namen jeder weiss The idea of a "bad guy" who is also a charming protagonist is the theme of "Mack the Knife," which rather miraculously went from being a sassy show-tune in a leftist German opera to becoming one of the most popular songs in the 20th-century United States. آیا یک وقتی آفتابی می شود ؟ Oper in 3 Akten. 1934, Erstaufführung in Zürich am 19. Mit seinen unmoralischen Geschäften steht Mackie Messer nicht alleine da. The Threepenny Opera is a lot like the television show The Wire. The parody, which featured a Robin Hood-type Macheath who stole from the rich, was later popular in the British colonies in New York and was supposedly enjoyed by George Washington. The new translation attempted to recapture the original tone of the song: Though the shark's teeth may be lethal According to this article from openculture.com, “The song…was written in a rush only a few days before the August 31, 1928 Berlin premiere, after the actor who played MacHeath complained that his entrance wasn’t grand enough. Den man Mackie Messer nennt The critic Kim Kowalke complained they were “bland and unsingable,” but they have a certain cheekiness. A 1959 instrumental performance by Bill Haley & His Comets was the final song the group recorded for Decca Records. مرد مرده ای کنار ساحل درازبه دراز افتاده Das Paket enthält Interpretationshilfen, Arbeitsblätter und mehr zu Brechts bekanntem Werk, das auch immer wieder abiturrelevant ist. And it wears them in the face. Darin does everything he can think of to informalize, almost trivialize, the lyrics, taking his irreverent attitude to a completely manic level, and, as the singer intended, it has precisely the opposite effect. And "Mack the Knife" got some reactions that remind us of gangsta rap, getting banned from certain radio stations and TV circuits for being too violent even as Bobby Darin's version was climbing to the very top of the charts to stay for nine whole weeks at the end of 1959. In it Jenny Diver delivered the Moritataccompanied by an organist and a fortissimo choir: (Very genteel that last line.) 1929, Paris VI: Die Dreigroschenoper gehört zu Bertolt Brechts bekanntesten Werken – nicht zuletzt wegen Liedern wie “Die Moritat von Mackie Messer”. And nothing like them occurs in the course of the action. Blitzstein's translation provides the basis for most of the popular versions heard today, including those by Louis Armstrong (1956) and Bobby Darin (1959; Darin's lyrics differ slightly), and most subsequent swing versions. Paulsen stayed in the Third Reich and acted in anti-Semitic movies; when the war ended, he carried on his career— Mackie as a survivor, indeed. For the best experience on our site, be sure to turn on Javascript in your browser. Bitte einloggen, Das epische Theater und „Die Dreigroschenoper“, Bildhafte Sprache und fehlerhafte Inhalte. Drauf man keine Untat liest. Interpreters felt free to improvise and scat-sing, altering lyrics and rhythm, interpolating words and phrases at will. Macheath, mit Spitznamen auch Mackie Messer oder »der Captn« genannt, ist Londons berühmtester und gefürchtetster Gangsterboss. و دندانهایش در پوزه اوست Aufstieg und Fall der Stadt Mahagonny. He had toned down not only Brecht’s political message but the account of Mackie’s grislier depredations. Evidence that the song had entered the American cultural mainstream was offered three years later when McDonald’s introduced Big Mac Tonight—with a recognizable song of introduction. Die beiden Machthaber gelten als Antagonisten im Stück. Vielmehr erinnert seine Erscheinung eher an einen gut situierten und dandyhaften Mafiaboss. Brecht’s Mackie Messer is rather more ruthless, archetypal of the modern capitalist. Blitzstein’s The Threepenny Opera went on to run until December 17, 1961, its 2,611 performances making it the longest running musical in New York to that time. Mackie Messer trägt ’nen Handschuh. Er ist der Anführer einer sechsköpfigen Verbrecherbande, deren Mitglieder bezeichnende Namen, wie Münz-Matthias oder Hakenfinger-Jakob, tragen. Swiss band The Young Gods radically reworked the song in industrial style on their 1991 album The Young Gods Play Kurt Weill, while jazz legend Sonny Rollins recorded an instrumental version entitled simply "Moritat" in 1956. Wer es immer wissen könnte Mackie Messer weiß es nicht. The more you sing about death and destruction in a happy, carefree tone, the more sinister it seems." Erhalte Zugang für nur 5,99 Euro pro Monat, Schon registriert als Abonnent? Laurence Senelick. InBrecht’s verse, Mackie is not directly accused of the song’s list of crimes, as if the streetsinger feared the consequences; they are imputed to him. Paulsen had devised his own foppish costume: spats, a sword-stick, a light-colored derby and a sky-blue butterfly tie that matched his eyes. In 1989 Sting returned, this time as Mack, in another Broadway stab at Threepenny. Doch kein einziges Verbrechen konnte dem Räuberhäuptling jemals nachgewiesen werden. The success was due in part to Blitzstein’s revisions. As one columnist recently wrote, "the essence of the song is: Oh, look who's coming onstage, it's Mack the Knife—a thief, murderer, arsonist, and rapist." What began as a last-minute interpolation in a musical play many predicted would be a dismal flop has become so familiar that most listeners are unaware of its context. Wachte auf und war geschändet - Jenny Towler ward gefunden Kommt er je ans Sonnenlicht? Und der Haifisch, der hat Zähne Und die trägt er im Gesicht Und Macheath, der hat ein Messer Doch das Messer sieht man nicht. Ella Fitzgerald made a famous live recording in 1960 (released on Ella in Berlin: Mack the Knife) in which, after forgetting the lyrics after the first stanza, she improvised new lyrics in a performance that earned her a Grammy Award. Since Lenya was in the studio during the session, he added her name to the list of Mack’s conquests. "The Threepenny Opera turns the accepted values of the good life upside down" , says theater critic Brooks Atkinson. Auch der sogenannte Bettlerkönig Jonathan Peachum betreibt ein lukratives und zwielichtiges Unternehmen in London. Desmond Vesey’s 1937 British translation of the opera, as revised by Eric Bentley, was staged at the University of Illinois at Urbana in 1946. He’s now called Mackie Messer, AKA Mack the Knife. In The Wire, the gang leaders and drug-lords often display more moral consistency than the cops and state representatives. [1] However, Weill and Brecht decided the song should not be sung by Macheath himself, opting instead to write the song for a street singer in keeping with the Moritat tradition. کسی از او چیزی نمی پرسد، او هم اصلاً هیچ نمی داند. Und es sind des Haifischs Flossen Rot, wenn dieser Blut vergießt Mackie Messer trägt ’nen Handschuh Drauf man keine Untat liest. April 1941, London: Even though Darin was reluctant to release the song as a single,[11] in 1959 it reached number one on the Billboard Hot 100 and number six on the Black Singles chart, and earned him a Grammy Award for Record of the Year. Der ausgekochte Mackie weiß, was er seinem Gegenspieler damit antut: „Viele Leute in London werden sagen, daß das das Kühnste ist, was du bis heute unternommen hast, daß du Herrn Peachums einzigstes Kind aus seinem Hause gelockt hast“ (S. 20). و مِکِی مِسِر توی بندرگاه An der Themse grünem Wasser Fallen plötzlich Leute um Es ist weder Pest noch Cholera Doch es heißt: Mackie geht um. شمول مَیِر اصلااً پیدایش نیست مِکِی به چه قیمت این کار را کردی؟, Potsdam: The following year there were five separate versions, with Bing Crosby and Lawrence Welk among the perpetrators, pushing it to number 14 in the Billboard weekly top 100. The Armstrong version was later used by Bobby Darin. [citation needed] Frank Sinatra, who recorded the song with Quincy Jones on his L.A. Is My Lady album, called Darin's the "definitive" version. از خواب بیدارشد ، دید بی سیرت شده By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13. Doch das Messer sieht man nicht. And the others are in light Hier wird auf die ländliche Gegend um London angespielt, welche als beliebtes Versteck für Kriminelle galt. And "Mack the Knife," the cheery and ubiquitous pop song that topped the charts in 1959, is his theme song. He spontaneously added her name to the lyrics ("Look out, Miss Lotte Lenya"),[10] which already named several of Macheath's female victims. This last point is certainly true in "Mack the Knife," where the upbeat sound rubs against the darkness of the lyrics to create a delightful tension. Brecht’s Mackie Messer is rather more ruthless, archetypal of the modern capitalist. Universal-Edition, Weill considered this translation unsingable, but it was revived with great success at Northwestern University in 1948. که عالم و آدم نامش را می دانند Und die trägt er im Gesicht. 9), Louis Armstrong Hot Five and Hot Seven Sessions, Louis Armstrong New Orleans International Airport, Bobby Darin Sings The Shadow of Your Smile, https://en.wikipedia.org/w/index.php?title=Mack_the_Knife&oldid=983124751, Pages using infobox musical composition with deprecated parameters, Grammy Award for Best Female Pop Vocal Performance, United States National Recording Registry recordings, Articles with unsourced statements from August 2020, Articles needing additional references from February 2019, All articles needing additional references, Articles containing Portuguese-language text, Articles needing additional references from February 2020, Creative Commons Attribution-ShareAlike License, December 19, 1958, at Fulton Studios, New York City, This page was last edited on 12 October 2020, at 11:33. At the premiere, the song was sung by Kurt Gerron, who played Police Chief Brown. Auf diese Weise begegnet er dem Leser und Zuschauer zunächst als geheimnisumwitterte und im wahrsten Sinne schwer zu fassende Figur. Ray Conniff recorded a version for orchestra and chorus in 1962 for the album, The Happy Beat. ", You Won't Be Satisfied (Until You Break My Heart), The Complete Ella Fitzgerald & Louis Armstrong on Verve. Mar 15, 2018 9:09:00 AMBy Während der Spitzname Mackie Messer nahezu selbsterklärend ist, verbirgt sich hinter dem Namen »Mac Heath« die weniger offensichtliche Bedeutung »Sohn der Heide«. In The Threepenny Opera, the Moritat singer with his street organ introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman Macheath in John Gay 's The Beggar's Opera (who was in turn … Other notable versions include performances by Mark Lanegan, Dave Van Ronk, Jimmie Dale Gilmore, Tony Bennett, Bing Crosby, Marianne Faithfull, Nick Cave, Brian Setzer, Dr. John, Kevin Spacey, David Cassidy (in At the Copa), Westlife, and Michael Bublé. Musik von Kurt WeillErstaufführung in Leipzig, März 1930. Edition du Carrefour, Gustav Kiepenheuer Verlag, مِکِی مِسِر، اصلاً نمی داند. "Mack the Knife" or "The Ballad of Mack the Knife" (German: "Die Moritat von Mackie Messer") is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera (German: Die Dreigroschenoper). Although "Mack the Knife" didn't by any means start the tradition of the antihero, the character and his song have become a timeless contribution to the beloved archetype. But the knife can't be seen. Macheath's murder ballad came into the world in England in 1728, returned anew in Germany 1928, hit off-Broadway fame in the U.S. in the early 1950s, and topped the pop charts in 1959. Or maybe it's because attractive "bad guys" are just plain fun: the tension in their personalities makes for good entertainment. In 1976, a brand-new interpretation of "Mack the Knife" by Ralph Manheim and John Willett opened on Broadway, later made into a film version starring Raul Julia as Mackie. Der von allem nichts gewußt A former dancer who had made his name acting “bon vivants”, Paulsen had been cast in the lead as the gangster Mackie Messer (Mack the Knife). Und das große Feuer in Soho Sieben Kinder und ein Greis In der Menge Mackie Messer, den Man nichts fragt, und der nichts weiß. مِکِی مِسِر دستکش پوشیده called before the House Un-American Activities Committee. Salsa musician Rubén Blades recorded an homage entitled "Pedro Navaja" (Razor Pete). Weill, [fa icon="facebook-square"]Facebook [fa icon="twitter-square"]Twitter [fa icon="instagram"]Instagram, A Double-Edged Blade: The Curious History of MACK THE KNIFE. Suhrkamp Verlag, Brecht, Und so mancher reiche Mann The song was introduced to American audiences in 1933 in the first English-language production of The Threepenny Opera. Still you see them white and red و آدمی آن گوشه ها می پلکد Brecht and Weill's interpretation of the John Gay play is more sinister and intense than the amusing Robin Hood themes that showed up in the original. #ThreepennyBLO, Rot, wenn dieser Blut vergießt. Inhalt: Inhaltserläuterung & Interpretation Und der Haifisch, der hat Zähne, Mackie, welches war dein Preis? hbspt.cta._relativeUrls=true;hbspt.cta.load(2427678, '12eeb26d-f551-4185-b832-2df336dd6248', {}); Topics: Both Armstrong and Darin's versions were inducted by the Library of Congress in the National Recording Registry in 2016.[14]. Und das mit prominenter Besetzung: Kein anderer als Lars Eidinger verkörpert den Brecht. In der Menge Mackie Messer, den سرخ اند وقتی خون ریز می شوند On BBC Radio 4's Desert Island Discs, pop mogul Simon Cowell named "Mack the Knife" the best song ever written. Historian Will Friedwald describes Darin's live performances of the song as containing a "near-hysterical level of irreverence." The Moritat, like its creators, crossed the Atlantic, but its fortunes in America were rocky. Der Räuber wird bereits zu Beginn des Stückes durch Dritte charakterisiert, und zwar noch bevor er selbst in Erscheinung tritt. The Brecht-Weill version of the character was far more cruel and sinister and has been transformed into a modern antihero. Dem man nichts beweisen kann Suhrkamp Verlag, با چاقویی توی سینه اش C6 Dm7 G7 Dm7 G7 C6 Jenny Towler ward gefunden mit 'nem Messer in der Brust Am Dm7 G7 Dm7 G7 C6 Und am Kai geht Mackie Messer der von allem nichts gewußt. “Harald Paulsen was vain, even for an actor.” So said Lotte Lenya, who was playing Jenny Diver in Berlin’s new musical play Die Dreigroschen Oper (The Threepenny Opera). 1967, Große kommentierte Berliner und Frankfurter Ausgabe, Hg. This version was performed by Lyle Lovett on the soundtrack of the 1994 film Quiz Show. Zu seinen Untaten zählen Raub, Vergewaltigung, Mord, Brandstiftung und vieles mehr. Dick Hyman recorded an instrumental version in 1955. The left-wing poet Bertolt Brecht gave it a make-over, setting it in a mythical Victorian London, and providing his own sardonic lyrics. Suhrkamp Verlag, Die Hochzeit findet ohne Wissen des Bettlerkönigs statt. Brecht wrote the words overnight and asked his collaborator, the composer Kurt Weill, to set them to music. و بیوه زن کم سن و سالی راه می رود با خیال راحت. Where Gay’s Macheath was a gentleman thief, Brecht’s Mackie is an out-and-out gangster. The song is modeled after the Moritat (from “mord” meaning murder and “tat” meaning deed), a kind of medieval ballad traditionally sung by traveling minstrels recounting the crimes of notorious murderers.”. DIE MORITAT VON MACKIE MESSER. The song has had a popular cover made of it every few years since, and inspired its fair share of parodies. ناگهان مردمانی برخاک می افتند And he keeps it out of sight.[9]. Am Donnerstag 13. Mackies elegantes Äußeres steht im Kontrast zum klischeehaften Bild des verrohten und heruntergekommenen Straßenräubers. In 1941 Lenya and Weill presented the Moritat at a war-bond drive at Hunter College. Und das große Feuer in Soho فقط می گویند: میکی می پلکد آن جا. نه طاعون آمده نه وبا Sinister it is—but the song's familiar tune and slowly climbing verses (each new verse changes key by a half-step up) is also strangely uplifting. [17] American political parodists the Capitol Steps used the tune for their song "Pack the Knife" on their 2002 album When Bush Comes to Shove. 2000, Berlin: Akt 2, Szene 4). Mack the knife – Fitzgerald . Deana Martin recorded "Mack the Knife" on her second studio album, Volare, released in 2009 by Big Fish Records. It focuses on the members of society who are supposed to be the worst-of-the-worst: In 1920s Germany, this meant beggars, thieves, and killers. Bobby Darin saw the show at the Theater de Lys and began singing the ballad in his nightclub act. Brecht decided to composeone that would counteract the dandy image, and so penned Die Moritat von Mackie Messer. Und die minderjährige Witwe There are certainly some overlapping themes: the wiles it takes to survive on the streets, violent lifestyles, and a bit of womanizing to boot. The unlikely come-back venues for Threepenny turned out to be institutions of higher learning. An 'nem schönen blauen Sonntag There are some who are in darkness 1922, Berlin: The German relative pronoun der is transformed into the cosy “dear”, making the listener complicit, while a “jack-knife” is not far from a Boy Scout knife. In some ways, The Threepenny Opera, tagged by Brecht and Weill as a show "by and for beggars," revolutionized musical theater. Jenny Towler ward gefunden Mit ’nem Messer in der Brust Und am Kai geht Mackie Messer Der von allem nichts gewußt. What's more, they're portrayed as human beings: they have charm, wit, humor, and complexity. And Macheath, he has a knife, The song has become a popular standard recorded by many artists, including a US and UK number one hit for Bobby Darin in 1959. Unfortunately, for all their vaunted fidelity, they had tin ears. Propyläen-Verlag, A Moritat was traditionally intoned by street singers and illustrated by lurid pictures on a pole or easel. Meanwhile, there were many who believed that Blitzstein had gone too far in adapting the play and its music to a Tin Pan Alley sensibility. C6 Dm7 G7 Dm7 G7 C6 Und das große Feuer in Soho sieben Kinder und ein Greis Am Dm7 G7 Dm7 G7 C6 In der Menge Mackie Messer, den man nicht fragt und der nichts weiss. In The Threepenny Opera, the Moritat singer with his street organ introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman Macheath in John Gay's The Beggar's Opera (who was in turn based on the historical thief Jack Sheppard). The play opens with the Moritat singer comparing Macheath (unfavorably) with a shark and then telling tales of his crimes: arson, robbery, rape, murder. In The Threepenny Opera, he is known as Mackie Messer (Messer is German for knife). Frankfurt am Main; Berlin, Weimar (Aufbau): Gestischer Rhythmus (= Betonte Enjambements), BALLADE VON DER UNZULÄNGLICHKEIT MENSCHLICHEN PLANENS. In 1986, McDonald's introduced Mac Tonight, a character whose signature song was based on "Mack the Knife". Wo ist Alfons gleich, der Fuhrherr? Hier wird auf die ländliche Gegend um London angespielt, welche als beliebtes Versteck für Kriminelle galt. Frank Sinatra added the song to his repertoire in 1984 in an arrangement by Frank Foster;[10] Sinatra and Jimmy Buffett recorded a duet of the song for Sinatra's final album Duets II (1994). The final stanza—not included in the original play, but added by Brecht for the 1931 film—expresses the theme and compares the glittering world of the rich and powerful with the dark world of the poor: Denn die einen sind im Dunkeln Und Macheath, der hat ein Messer (Source) The song, which became the opening number, was composed in less than 24 hours and added to the show at the final hour. Nach längerem Lesen wird klar, dass das Ziel beider die Erzielung von hohen Gewinnen ist. Daran erinnert diese Darstellung des Mackie Messer und dies bildet auch den Punkt, an den ich bei der Interpretation der Moritat anknüpfen möchte. Mackie Messer trägt 'nen Handschuh Pabst’s film version of 1931; however, when the Nazis came to power in 1933, Die Dreigroschen Oper was banned in Germany. But like The Wire, The Threepenny Opera ultimately paints a picture in which the corruption of so-called criminals is only as bad as the corruption of those in power—and sometimes a little more heroic. Gustav Kiepenheuer Verlag, The English lyrics were by Gifford Cochran and Jerrold Krimsky. (Source, 96). Später will auch Mackie Zuflucht im sogenannten »Moor von Highgate« suchen (vgl. Und die minderjähr’ge Witwe Deren Namen jeder weiß Wachte auf und war geschändet Mackie welches war dein Preis? For the best experience on our site, be sure to turn on Javascript in your browser. Mit 'nem Messer in der Brust As the story goes, the diva-esque tenor who was playing the part of Mackie Messer, a.k.a. Und man siehet die im Lichte Der Grund dafür sind seine freundschaftlichen Beziehungen zum obersten Polizeichef Jackie Brown. Malik-Verlag, (Curiously, like Mozart’s Don Giovanni, neither Gay’s Macheath nor Brecht’s Mackie is shown to be successful in either his romantic or his criminal activities.) Just a jack-knife has Macheath, dear Weill intended the Moritat to be accompanied by a barrel organ, which was to be played by the singer. Standing on the Corner (Blue Yodel No. Darin was a rising pop star with a smooth, sleek voice and a desire to dominate the world of pop music. Wachte auf und war geschändet - Not surprisingly, Brecht and Weill were pushed out of Germany by the Nazis in 1933, and their works were banned. His friend Dick Clark advised him not to record it lest he spoil his teen idol image, but Darin’s swing-inflected single LP sold 3.5 million copies and won a Grammy award. “Die Moritat von Mackier Messer”, known in English as “The Ballad of Mack the Knife” or “Mack the Knife”, was a song written by Bertolt Brecht & Kurt Weill for the play ‘Die Und es sind des Haifischs Flossen. [15] Brazilian composer Chico Buarque, in his loose adaptation of Threepenny Opera (Ópera do Malandro), made two versions called "O Malandro" and "O Malandro № 2", with lyrics in Portuguese. A Moritat is a murder ballad—from the Latin, mori, of death, and the German tat, deed, especially dastardly deed.
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